Book Review: To Kill a Kingdom

to kill a kingdomTo Kill a Kingdom
by Alexandra Christo
Fantasy
352 pages
Published March 2018

I really enjoy books that take mermaids (or sirens, in this case, as mermaids exist but are something different in this world) and turn them back to their murderous roots. Adding in Cthulhu-esque horror made Into the Drowning Deep especially fascinating. To Kill A Kingdom didn’t have much horror – it took the fantasy adventure/quest route instead.

The book alternates between the viewpoints of Princess Lira, the siren known as the Prince’s Bane, and Prince Elian. Their name is at the start of each chapter that is written from their viewpoint, but it’s small and easily missed. I wish it was in a larger, more obvious font, because I kept having to flip back a few pages to figure out who I was reading.

I loved seeing the character growth of Lira as she comes to know the humans, and realizes there is another possibility besides just following her mother’s brutal orders. She learns, watching Elian’s people follow him, that there is a way to inspire loyalty rather than compel it by magic and brutality.

Lira definitely shows more character growth than Elian does, and the book never really explains how Elian gets past the fact that she’s killed so many princes.

The beginning of the book was also a little slow – I actually set it aside for a couple of weeks while reading other things and worried a little that I was never going to pick it up again. Worried because I don’t usually not finish books unless they’re terrible, not because I actually wanted to find out what happened. I didn’t get invested in the characters until probably about halfway through the book. Books usually catch me far before that point.

So – it was okay. If you want predatory mermaids, I would recommend Into the Drowning Deep long before this one. Though if you want more fantasy with a touch of romance, and less horror, then this is probably the book you want. Just be warned it takes some time to hit its stride.

From the cover of To Kill a Kingdom:

Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most–a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian’s heart to the Sea Queen or remain a human forever. 

The ocean is the only place Prince Elian calls home, even though he is heir to the most powerful kingdom in the world. Hunting sirens is more than an unsavory hobby–it’s his calling. When he rescues a drowning woman in the ocean, she’s more than what she appears. She promises to help him find the key to destroying all of sirenkind for good–But can he trust her? And just how many deals will Elian have to barter to eliminate mankind’s greatest enemy?

Book Review: The Diabolic

the diabolicThe Diabolic
by S. J. Kincaid
Young Adult Sci-fi
403 pages
Published 2016

I really enjoyed this book. There were twists I absolutely did not see coming, and Nemesis’s confusion over whether she is truly human or not is an absorbing part of the plotline.

The book opens on Nemesis, an artificially created humanoid, as a child, being bonded to her charge, Sidonia Impyrean. The chemically-induced bonding creates an artificial love from Nemesis towards Sidonia – a love so strong she will kill and die to protect her. Many years later, Diabolics – what Nemesis is – are outlawed. Rather than kill Nemesis, Sidonia’s family fakes her death, and eventually sends Nemesis to court masquerading as Sidonia. No one has seen Sidonia before, so the masquerade is fairly easy, other than hiding Nemesis’ real abilities as one of the last Diabolics. Thrown into a world of conspiracies and courtly intrigue, Nemesis flails a little bit, but eventually finds her footing, and I can’t say anymore than that because that’s when the plot twists start!

This is one of the most surprising YA books I’ve read. I only anticipated one or two of the twists; many of the events revealed themselves to the reader at the same time that Nemesis uncovers them, which makes sense, as the book is told from her point of view.

The bond between Sidonia and Nemesis is strong and intriguing, even across star systems. I wish their relationship had been explored more. Sidonia always believed Nemesis was truly human, even when Nemesis did not. The book did not delve deeply into the actual creation of Diabolics; I’m hoping the sequel does. I’m curious if they are actually created, or if they are genetically modified humans and that’s just a closely guarded secret. (Even if they are created, they’re human in every way except their strength and endurance – I’m sure they’re simply modified in the womb. Or test tube. Whichever. I really hope the sequel gets into that.)

I have the sequel, The Empress, requested from the library, but it’s supposed to be a trilogy. I don’t know when the third is due out.

This is a fantastic, surprising YA book with interesting politics and world building. I really want to learn more about the history of this world, and hopefully the rest of the trilogy will cover that.

From the cover of The Diabolic:

A Diabolic is ruthless. A Diabolic is powerful. A Diabolic has a single task: Kill in order to protect the person you’ve been created for. 

Nemesis is a Diabolic, a humanoid teenager created to protect a galactic senator’s daughter, Sidonia. The two have grown up side by side, but are in no way sisters. Nemesis is expected to give her life for Sidonia, and she would do so gladly. She would also take as many lives as necessary to keep Sidonia safe.

When the power-mad Emperor learns Sidonia’s father is participating in a rebellion, he summons Sidonia to the Galactic court. She is to serve as a hostage. Now, there is only one way for Nemesis to protect Sidonia. She must become her. Nemesis travels to the court disguised as Sidonia—a killing machine masquerading in a world of corrupt politicians and two-faced senators’ children. It’s a nest of vipers with threats on every side, but Nemesis must keep her true abilities a secret or risk everything.

As the Empire begins to fracture and rebellion looms closer, Nemesis learns there is something more to her than just deadly force. She finds a humanity truer than what she encounters from most humans. Amidst all the danger, action, and intrigue, her humanity just might be the thing that saves her life—and the empire.

Book Review: Burn Bright

burn bright alpha omegaBurn Bright
by Patricia Briggs
Urban Fantasy
308 pages
Published March 2018

I absolutely love Patricia Briggs. Mercy Thompson is a great series, but the Alpha and Omega series stole my heart. Anna is one of my favorite characters EVER. (Though this book reminded me that I want to know more about one of the side characters, Asil, because he’s always amused me.)

This is the fifth book in the Alpha and Omega series. It actually started as a short story that  was originally published in an anthology in 2007. I own the anthology – somewhere – but it’s available as a separate ebook on Amazon. If you want to read the series, you really need to start there. It’s where Anna and Charles meet and explains Anna’s backstory. But in Burn Bright, Anna and Charles have been mated for a few years and gone on a number of adventures already. Now Charles’ father, Bran, “the Marrok” is out of town, leaving Charles in charge of the pack, and of course, they’re attacked.

In between pack dominance fights, unraveling curses, and pack bond magic, Anna and Charles track down attackers, heal wounds, and discover people aren’t always who they seem to be.

The Mercy Thompson series and the Alpha and Omega series have both been hinting at a grand, over-arching plotline that gets revealed a little more in this book, so that’s exciting, and I’m eager to see where this goes. I’ve enjoyed how the two series are very much their own series, but still exist in the same world and have events going on that affect both sets of characters. I think we’ll see a crossover book soon.

I feel a little weird calling it urban fantasy- that IS the genre, but the Alpha and Omega series, in particular, usually takes place out in the sticks. Not exactly urban. (You could call the Mercy books the city and Alpha/Omega the country and not be too far off.)

It’s a great addition to the series, if you’ve been reading them. Not good as a standalone if you don’t know the rest of the world already, though!

From the cover of Burn Bright:

In her bestselling Alpha and Omega series, Patricia Briggs “spins tales of werewolves, coyote shifters, and magic and, my, does she do it well” (USATODAY.com). Now mated werewolves Charles Cornick and Anna Latham face a threat like no other – one that lurks too close to home…

They are the wild and the broken. The werewolves too damaged to live safely among their own kind. For their own good, they have been exiled to the outskirts of Aspen Creek, Montana. Close enough to the Marrok’s pack to have its support, far enough away to not cause any harm.

With their Alpha out of the country, Charles and Anna are on call when an SOS comes in from the fae mate of one such wildling. Heading into the mountainous wilderness, they interrupt the abduction of the wolf – but can’t stop blood from being shed. Now Charles and Anna must use their skills – his as enforcer, hers as peacemaker – to track down the attackers, reopening a painful chapter in the past that springs from the darkest magic of the witchborn . . . 

Book Review: Mortal Engines

mortal engines

Mortal Engines
by Philip Reeve
Post-Apocalyptic Steampunk
296 pages
Published 2002

Through this entire book, I kept thinking “this feels like Valerian and the City of a Thousand Planets.” It’s a completely different setting, and a different plot, but it had the same atmosphere. Rollicking action, fantastical premise, crazy setting, huge machines with entire worlds within them. I loved Valerian – it may not have been a critically great movie, and I don’t think the leads had much chemistry, but the movie was just FUN. And that’s how Mortal Engines is, too.

It’s a crazy world, where cities have become mobile – think Howl’s Moving Castle – and they chase each other across a barren world, devouring each other for resources in a social order they call Municipal Darwinism. Some cities, like London, are huge, with six main levels, not really counting the Gut, or the center of the machinery. Other towns are small, one or two levels crawling along trying to avoid the notice of the larger, faster cities. The peoples of the Traction Cities think people who live in statics (stationary cities, or, horror of horrors, right on the ground!) or people who are part of the Anti-Traction League, are crazy barbarians. And then there are the airship captains and crews, based out of the one floating city.

It is a crazy steampunk world, and Tom Natsworthy stumbles into a conspiracy plot by being in the wrong place at the wrong time. But as he travels with Hester across the wasteland, trying to survive their pursuers and avert catastrophe, he learns more about her, and more about how the world actually works.

I absolutely adore the last two sentences of the book, and I’m going to post those here because they aren’t terribly spoilery. And they’re fantastic.

“You aren’t a hero, and I’m not beautiful, and we probably won’t live happily ever after,” she said. “But we’re alive, and together, and we’re going to be all right.”

This book is the first of a quartet, and Reeve also wrote a prequel trilogy, so there’s actually three books before AND after this book. I’ll probably check my library for them, because I REALLY enjoyed this book.

Mortal Engines is also set to come out as a movie this December – I can’t tell from the teaser how closely it’s going to stick to the plot of the book, but the Traction Cities are well done!

This also fills the “Steampunk” prompt for Litsy’s Booked 2018 challenge.

From the cover of Mortal Engines:

Emerging from its hiding place in the hills, the great Traction City of London chases one terrified little town across the wastelands. If it cannot overpower smaller, slower prey, the city will come to a standstill and risk being taken over by another. In the attack, Tom Natsworthy, Apprentice Historian to the London Museum, is flung from its speeding superstructure into the barren wasteland of Out-Country. His only companion is Hester Shaw, a murderous, scar-faced girl who does not particularly want Tom’s company. But if they are to make it back to London, before Stalkers or hungry cities get them first, they will need to help each other, and fast. If Hester is to be believed, London is planning something atrocious, and the future of the world could be at stake. Can they get back to London before it’s too late?

Book Review: Dragon Heart

dragon heartDragon Heart
by Cecelia Holland
Fantasy
286 pages
Published 2015

I picked this up on a whim; the cover and synopsis made it sound like yet another maiden-befriends-a-dragon standard fantasy novel, with her family in the balance. I was wrong. I’d never heard of the author, but apparently she has been writing historical fiction since the 60s, and she took that wealth of experience and added a dragon to make this gothic tale of a family fighting to keep their sovereignty against an encroaching empire.

I actually wish the dragon had featured in the story more than he did; I want to know more about his history and why he was so intrigued by Tirza. Why they could understand each other when no one else could. I’m disappointed that was never explained.

The mysteries of the castle were never really explained, either, though one of the stories Tirza tells the dragon hints at it. Castle Ocean seems to be alive, in some ways, refusing to be altered from its original construction by slowly reverting any changes and luring invaders down dark hallways they will never find their way out of again. The gothic atmosphere of the novel was fascinating.

It definitely absorbed my attention for several hours. I’d give it a 3/5, I think. Not incredibly outstanding, but well done and a little hypnotic.

From the cover of Dragon Heart:

Where the Cape of Winds juts into the endless sea, there is Castle Ocean, which is either haunted or simply alive, and therein dwells the royal family that has ruled it from time immemorial. But there is an Empire growing in the east, and its forces have reached the castle. King Reymarro is dead in battle, and by the new treaty, Queen Marioza must marry one of the Emperor’s brothers. She loathes the idea and has already killed the first brother, but a second arrives, escorted by more soldiers. While Marioza delays, her youngest son, Jeon, goes on a journey in search of his mute twin, Tirza, who needs to be present for the wedding.

As Jeon and Tirza return by sea, their ship is attacked by a shocking and powerful dragon, red as blood and big as the ship. Thrown into the water, Tirza clings to the dragon and after an underwater journey, finds herself alone with the creature in an inland sea pool. Surprisingly, she is able to talk to the beast and understand it.

So begins a saga of violence, destruction, and death, of love and mosters, human and otherwise. 

Book Review: Deerskin

DeerskinDeerskin
by Robin McKinley
Fantasy
386 pages
Published 2014

Content Warning: Sexual Assault

You know, sometimes you just need some escapist fantasy. McKinley’s lyrical prose was just the ticket for me last night. There were a few times where I thought “I’d like to know what happens next, quit with the digression already” but then I got caught up in the digression itself! I’ve read several of McKinley’s books – The Hero and the Crown, Pegasus, a few others. She is a master of her craft, weaving magical tales that make you really SEE the world of the book.

Lissar/Deerskin survives some intense trauma in the beginning of this tale – it was hard to read, but McKinley hit the middle ground of being just graphic enough to really impress the horror of the assault on you, without being overly graphic. I think it could definitely be triggering, though, so be warned. Lissar survives, and escapes, and spends time healing before going among people again and learning to heal emotionally as well as physically.

The book is predictable – I knew where she was going and who she’d fall in love with from the moment she left home – but no less absorbing for that. I did like that for once, an author dealt with trauma recovery in a realistic manner, instead of just “oh well she loves him so the trauma won’t bother her anymore!” because PTSD doesn’t work that way.

Deerskin is another enchanting tale from McKinley, with parts that are genuinely hard to read. I wish the description had been more blatant that when Lissar is fleeing “her father’s lust” they really meant his assault, not just his desire.

From the cover of Deerskin

Princess Lissla Lissar is the only child of the king and his queen, who was the most beautiful woman in seven kingdoms. Everyone loved the splendid king and his matchless queen so much that no one had any attention to spare for the princess, who grew up in seclusion, listening to the tales her nursemaid told about her magnificent parents.

But the queen takes ill of a mysterious wasting disease and on her deathbed extracts a strange promise from her husband: “I want you to promise me . . . you will only marry someone as beautiful as I was.”

The king is crazy with grief at her loss, and slow to regain both his wits and his strength. But on Lissar’s seventeenth birthday, two years after the queen’s death, there is a grand ball, and everyone present looks at the princess in astonishment and whispers to their neighbors, How like her mother she is!

On the day after the ball, the king announces that he is to marry again—and that his bride is the princess Lissla Lissar, his own daughter.

Lissar, physically broken, half mad, and terrified, flees her father’s lust with her one loyal friend, her sighthound, Ash. It is the beginning of winter as they journey into the mountains—and on the night when it begins to snow, they find a tiny, deserted cabin with the makings of a fire ready-laid in the hearth.

Thus begins Lissar’s long, profound, and demanding journey away from treachery and pain and horror, to trust and love and healing.