Holy shit. I sat and stared at my Kindle for several minutes after finishing this book. The Power belongs on the same shelf as The Handmaid’s Tale and American War. It’s just amazing. The book begins in our world – but then takes a twist sideways. Teenage girls start manifesting an electrical power. They can zap people, with varying degrees of strength. It can be a pleasing, arousing tingle, or a warning jolt, or a breath-stealing, heart-stopping (literally) bolt. They soon discover that older women can also manifest the ability, but it has to be kick-started by a jolt from someone who already has it. (Even later in the book it’s revealed that there’s actually a muscle – they call it the skein – that controls the electricity, and women have, in the last twenty years or so, evolved to have that muscle.)
The book revolves between the points of view of a few different women and one man. The man is a journalist reporting on the emergence of the new power, while the women are prominent figures in the new world order that is emerging. Allie – Eve – becomes the leader of a new religion, Roxy is the daughter of a crime syndicate boss, and Margot is a mayor climbing the political ranks. Margot’s daughter also gets a few chapters.
It’s been pointed out that perhaps men are afraid of women having equal rights because they can’t picture a world in which powerful women don’t treat men the way powerful men have always treated women. They can only imagine men and women interacting as oppressors and oppressed, not as equals. Whereas feminism wants a world where we are truly equals. The Power imagines a world where women do become the oppressors, and men are forced into the feminine role. This is enforced by the framework the novel is told in – the novel itself is bracketed by letters between the “author,” presenting his historical novel, and a woman supposedly editing his work. Through the letters, you discover the novel is a slightly embellished history of their world, with about five thousand years between the events of the novel and the time of the letters. In the tone of the letters, you see the stereotypes switched – the man is apologetic and unsure while the woman is authoritative, patronizing, and a little bit sexist. “Oh, you silly boy, imagining a world where men were dominant! What a naughty idea! Don’t you think men as soldiers is preposterous? Men are homemakers, women are the aggressive ones!” I think, if feminism achieves its goals through legislation, we will find true equality. If something like this were to happen – a drastic change, giving women a physical way to dominate suddenly, the outcome might indeed be more like the novel. Enough women have been traumatized that they’ll want – need – to avenge themselves, and violent upheaval will result.
By the last third of the novel, we see powerful women and societies acting just the same as powerful men always have – I’d like to think we’d have learned from the men’s mistakes, but humans are only human. Perhaps this is more realistic.
The book is NOT for the faint of heart. There are graphic rape, abuse, and violence scenes. They’re not gratuitous – they serve the author’s point – but they are still disturbing, as those scenes should be.
I’ll be thinking about this book for a while. It’s excellent, and I highly recommend it, if you can handle the dark themes.
From the cover of The Power:
In THE POWER, the world is a recognizable place: there’s a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power–they can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.
From award-winning author Naomi Alderman, THE POWER is speculative fiction at its most ambitious and provocative, at once taking us on a thrilling journey to an alternate reality, and exposing our own world in bold and surprising ways.