The Bone Witch/The Heart Forger
by Rin Chupeco
Young Adult Fantasy
411 pages/501 pages
Published 2017/2018
I’m reviewing the first two books of a trilogy here, The Bone Witch and The Heart Forger. The third book, The Shadowglass, is due out in March – but I wish it was out now!!
Both books are told in an alternating chapter format; short chapters, told from a nameless bard’s viewpoint as Tea tells him her story, and longer chapters told from Tea’s viewpoint, being the stories she’s telling the bard. All of the bard’s chapters take place over the course of a few weeks, while Tea’s story covers her entire life up to that point. So you get glimpses of what she’s currently doing, while getting backstory and explanation of why she’s doing it.
First thing I want to say is Tea is BADASS. The book opens on her raising a terrifying monster from the dead and making it into a pet. A PET. The bard she’s talking to is intimidated, to put it mildly. Then we launch into her story. Tea tells us how she went from farmgirl to Asha – think a geisha with magic and combat training, and you’ll get the picture. Tea’s world is fairly rigid on the gender roles – women with magic become asha, men with magic become Deathseekers. A significant side-plot revolves around a young boy with magic who wants to be an asha instead of a Deathseeker, and Tea’s efforts to help him. Tea turns out to be a rare kind of asha – a dark asha, or bone witch – whose powers are mostly concerned with raising the dead.
A major point of this world is heartsglass – in several of the kingdoms (but not all of them) everyone wears a locket around their neck with their heartsglass inside. Heartsglass is basically a small ball of light summoned forth from a person’s soul when they come of age. It can’t be given away unwillingly, and the different colors of someone’s heartsglass means different things – whether they’re a magic user, or a bone witch, or an asha, or a heart forger. Or rather, whether they have the potential to become those things. Some people – the ashas, death seekers, any of the magic users, really – can see peoples’ emotions in their heartsglass, and can tell when people are lying, or guilty, or a number of useful things. People in love often trade their heartsglass with each other, literally holding each other’s hearts. This can be dangerous; the bone witch who trains Tea in the first book gave her heartsglass away, but her lover died without returning hers. And she doesn’t know where he hid it. Without a heartsglass, her powers – and life force – are dwindling.
I love Tea so much. She is incredibly powerful, but hurt and pissed off and out for vengeance. At the same time, she doesn’t want to be evil, so she is tempering her vengeance to a knifepoint so innocents aren’t caught in it needlessly. She’s doing horrifying things while you’re thinking “Oh. Yeah. That’s justified.” The writing in these books is excellent. The side characters are fleshed out with motivations of their own, the villains have interesting reasons for their villainy, strange events get revisited later and explained – it’s just amazingly well done.
Between raising the dead, flirting with princes, taking down army-destroying monsters, and taming dragons, the only bad thing I have to say is I HAVE TO WAIT UNTIL MARCH FOR THE THIRD BOOK?!
From the cover of The Bone Witch:
The beast raged; it punctured the air with its spite. BUT THE GIRL WAS FIERCER.
Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living – and of the human.
Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong – stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.
Lyrical and action packed, this new fantasy series by acclaimed author Rin Chupeco will leave you breathless.
From the cover of The Heart Forger:
Life isn’t fair. AND SOMETIMES, NEITHER IS DEATH.
No one knows death like Tea. A bone witch who can resurrect the dead, she has the power to take life…and return it. And she is done with her self-imposed exile. Her heart is set on vengeance, and she now possesses all she needs to command the mighty daeva. With the help of these terrifying beasts, she can finally enact revenge against the royals who wronged her – and took the life of her one true love.
But there are those who plot against her, those who would use Tea’s dark power for their own nefarious ends. Because you can’t kill someone who can never die…
War is brewing among the kingdoms, and when dark magic is at play, no one is safe.
The Memoirs of Lady Trent, as one can expect, are told from the viewpoint of Isabella Camherst, who becomes Lady Trent partway through the books. (But since they are written as her memoirs, she is “remembering” back to her adventures before she became part of the peerage.) Lady Trent’s world is analogous to our own Victorian age, except they have dragons, and she is fascinated by them. In the first book, she maneuvers her husband, also an amateur scholar of dragons, into joining an expedition to go study mountain drakes, and manages to get herself brought along. That begins her career.
I actually quite enjoyed how these books treated other cultures. We see a lot of effects from Scirling (British) colonialism, but Lady Trent herself sees other cultures as interesting things to study and become part of temporarily, not as “savages” that need to be “civilized” (or just used) as so many Victorian-age naturalists did. (And, indeed, how the Scirling military sees them.) Her ultimate goal is always the dragons, but if that means becoming part of a jungle or island tribe, and tending camp and hunting and traveling as the villagers do, then that is what she does. I could see the argument for painting Lady Trent as a white savior figure, but if she wasn’t part of one of the dominant cultures in this world, she wouldn’t have the means or access for all the different adventures described in the books. I suppose she could have been Akhian or Yengalese. (Arabian or Chinese, respectively, the other two dominant cultures.) She also forms genuine friendships with the people she lives among, and tries to do her best by them.
Goddess In The Stacks 