Category Archives: Reviews – Fiction

Book Review: Her Body and Other Parties

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her body and other partiesHer Body and Other Parties
by Carmen Maria Machado
Fantasy/Magical Realism Short Stories
241 pages
Published 2017

This is another book off my Wronged Women list – women who have been part of the #metoo movement. Specifically the ones that have come out against Junot Diaz and Sherman Alexie, but I hope to expand it to others as well. Her Body and Other Parties is a collection of eight surreal stories. Magical Realism is probably the best categorization for them, as they’re not really fantasy. Real World stories with a touch of magic, or events that we’re not sure whether they could be magic or are just in the narrator’s head.

The Husband Stitch is the first story, and it’s a retelling of an old children’s story that I recently saw being discussed on Twitter – the one with the woman who had a green ribbon tied around her neck. Her husband always wanted to ask about it, but she refused to answer any questions about it, and wouldn’t let him touch it until she was on her deathbed. In Machado’s version, it isn’t just the narrator that has one. Every woman does. It’s different colors, in different places, but it’s still never talked about. I think she means it as a metaphor for trauma. It works well.

Eight Bites is a particularly haunting piece about self-hate, body acceptance, and peer pressure. It’s probably my second favorite story after The Husband Stitch.

The only one I didn’t love was Especially Heinous. It was written as episode synopses of a television show, and it was interesting, but it just went on too long.

All of the stories are written well, though, and each one makes a different point. I think this would make an amazing Book Club book, because I’d love to discuss the meanings of the stories with other people. Other women, specifically. It would definitely be a great book for discussion.

From the cover of Her Body and Other Parties:

In her electrifying debut, Carmen Maria Machado blithely demolishes the borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. Here are eight startling stories that map the realities of women’s lives and the violence visited upon their bodies. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties enlarges the possibilities of contemporary fiction.

Book Review: A Thousand Beginnings and Endings

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a thousand beginnings and endingsA Thousand Beginnings and Endings
Edited by Ellen Oh and Elsie Chapman
Retold Asian Mythology Anthology
328 pages
Published June 2018

This is one of the many new releases I have been eagerly awaiting from the library, and it did not disappoint! There are fifteen stories here, reimagining Asian myths, legends, and fairytales. Each story has an author’s note following it, giving a little bit of background information on the inspiration for the story. I didn’t realize until reading the author bios in the back of the book that three of the authors (including the two editors) are from the We Need Diverse Books team, which is one of my favorite book twitters! (@diversebooks) Their book recommendations are always fantastic. One of the editors is actually local to me, so that’s pretty neat, too!

I think my favorite stories were the last two in the book – Eyes Like Candlelight (by Julie Kagawa), about a Kitsune falling in love with a mortal, and The Crimson Cloak (Cindy Pon), about a goddess falling in love with a mortal. Stories range from Japanese mythology (Eyes Like Candlelight) to Filipino, Hmong, and Punjabi-inspired tales. The diversity in both culture, style, and time period of these tales is fantastic. I really enjoy Asian mythology, and I love seeing more and more books exploring it. (Forest of a Thousand Lanterns was another semi-recent one.)

Because it’s a bunch of short stories, it’s an easy book to take in small bites – a story here, a story there. I like mixing short story collections in with my longer reads; they make for nice breaks. I highly recommend this book, and I’ll be looking up the authors to find some of their other works! (That’s another reason I love short story collections – they introduce me to authors I might not otherwise read!)

From the cover of A Thousand Beginnings and Endings:

Star-crossed lovers. Meddling immortals. Feigned identities. Dire warnings.

These are the stuff of myth and legend. Add a dangerous smile, a game that pulls players out of one world and into another, a ghost town, a never-ending war, a night of dancing . . . and this collection of inspired and original retellings is only just beginning. Fifteen acclaimed authors reimagine tales from their own East and South Asian cultures. Classic epics, lush fantasy, inventive science fiction, sparkling contemporary – there is a story here for every reader to devour.

But beware . . . not every tale has a happy ending.

Book Review: The Book of M

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the book of mThe Book of M
by Peng Shepherd
Dystopia/Magical Realism
485 pages
Published June 2018

What defines a person? Your experiences? Your personality? The emotional bonds you forge? What happens when you forget? Are you still you if you don’t remember who that is? The Book of M tackles these questions and takes an intimate look at what happens when some people forget but others remember.

We enter on Max and Ory in an abandoned hotel, running out of food and supplies. Max has lost her shadow, which means she will soon start forgetting. Everything. (There are rumors that Shadowless have died because they forgot to breathe or eat.) We learn it’s been a few years since the phenomenon started happening, and flashbacks tell us the story of those early months. Like any good dystopia, it is a world-altering process. Governments are gone because no one remembered to run them. Food and other supplies are dwindling because farmers, shippers, manufacturers forgot what they were doing and how to do it.

But with the forgetting comes – magic, of a sort. Ory comes across a deer in the forest that instead of antlers, has wings sprouting from its forehead. Because someone forgot that deer shouldn’t have wings – and so it happened. Forgetting that something can be destroyed can make it indestructible. Forgetting that you left a place can take you back to that place. Forgetting a place exists can make that place no longer exist. It’s not a very controllable kind of magic. And it’s dangerous – you can never be quite sure what you’ll forget, and you can affect other people with it.

And the forgetting starts with losing your shadow. Ory gives Max a tape recorder, so she can record things she might forget. He posts signs around their hideout to remind her of things, like “Let no one in. Ory has a key.” and “Don’t touch the guns or the knives.” But Max knows she is a danger to Ory, and so while she can still remember enough to function, she runs away.

The book mostly concerns Ory and Max’s journeys across the country; Max trying to find something she’s forgotten, and Ory trying to find Max. The adventure is gripping, heartbreaking, and at times confusing. (Mostly on Max’s end, as magic warps things around her.) There are a few side characters who also have viewpoint chapters. Naz Ahmadi is an Iranian girl training for the Olympics in the US – in archery, which comes in quite handy. We also have The One Who Gathers, a mysterious man in New Orleans who has gathered a flock of shadowless.

If you ever played the roleplaying game Mage: the Ascension, and remember the concept of Paradox, this book reminds me of that a lot. (Is it a surprise that I’m a tabletop RPG geek? It shouldn’t be. I own almost all of the old World of Darkness books, and currently play in a D&D game, and hopefully soon a second D&D game!) Anyway. Paradox. Where doing magic too far outside the bounds of acceptable reality punishes you, so you have to weigh the potential consequences against the magic you want to do.

I really enjoyed this debut novel; it is a very original take on a dystopia, and raised a lot of questions about personality, memories, and what makes a person the person you remember.

From the cover of The Book of M:

Set in a dangerous near-future world, The Book of M tells the captivating story of a group of ordinary people caught in an extraordinary catastrophe who risk everything to save the ones they love. This sweeping debut illuminates the power that memories have not only on the heart, but on the world itself.

One afternoon at an outdoor market in India, a man’s shadow disappears – an occurrence that science cannot explain. He is only the first. The phenomenon spreads like a plague, and while those afflicted gain a strange new power, the magic comes at a horrible price: the loss of all their memories.

Two years later, Ory and his wife, Max, have escaped the Forgetting by hiding in an abandoned hotel deep in the woods outside Arlington, Virginia. Their new life feels almost normal, until their greatest fear happens to them, and Max’s shadow disappears, too.

Knowing that the more she forgets, the more dangerous she will become to the person most precious to her, Max runs away while Ory is out foraging for supplies – but he refuses to give up what little time they have left together. Desperate to find Max before her memory disappears completely, Ory follows her trail across a perilous, unrecognizable world, braving the threat of roaming bandits, the call to a new war being waged amid the ruins of the capital, and the rise of a sinister cult that worships the shadowless.

On their separate journeys, each searches for answers: for Ory, about love, about survival, about hope; and for Max, about a mysterious new force growing in the south that may hold the cure.

Book Review: Starless

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StarlessStarless
by Jacqueline Carey
Fantasy
587 pages
Published June 2018

Jacqueline Carey has been a little hit or miss for me lately. I loved Kushiel’s Dart, read that years ago. Wasn’t fond of the second trilogy in that world. I read Miranda and Caliban a while back, and it was alright. This, though, blew me away. First, the idea that there are no stars in the sky. They have three moons and a sun, but no stars. Their mythology is that the Stars rebelled against their father, the Sun, and he threw them all to Earth, including one who hadn’t participated as it had been a babe in the womb during the rebellion! The stars now walk the earth as gods and goddesses, and we meet several in the book. (And hear about a few more.) The one god that hadn’t been part of the rebellion, but was punished anyway, has been nursing his hurt and resentment until, prophecy states, he will eventually wake and try to kill everyone. The problem is the prophecy was shattered into as many pieces as there are gods, and spread across the world. There are prophecy seekers that try to collect all the bits, but they’re not very successful.

In Khai’s country, the sacred twins are their gods. Pahrkun the Scouring Wind and Anamuht the Purging Fire. They can be seen on occasion striding across the desert. It is by Pahrkun’s will that Khai is bound to the youngest princess as her soul twin; very rarely the royal family gets one of these, and they are always meant to be bodyguards. So Khai is sent to the temple of Pahrkun’s warriors, deep in the desert, and trained in the many ways to kill. The warriors are all men, but Khai turns out to be non-binary, and this is what lets him guard the princess in a culture that includes harems and eunuchs. I love the relationship between Khai and Princess Zariya, and Zariya is no typical princess.

The book follows Khai and Zariya’s adventures in court intrigue, marriage proposals, sea battles, and prophecy-chasing. The action is perfect, the world breath-taking, and the people beautifully written. I’ve always enjoyed the fantasies where the gods show up commonly enough that people know how to identify them and how to treat them. From the Wind and Fire of Zharkoum’s arid country to the shape-changing Quellin and the terrifying Shambloth, the people that live near them build governments and societies around their gods, which makes each society stand out in their own way. World-building is definitely something that Carey is an expert at.

Starless is an amazing fantasy with a lovely queer romance at its heart. It’s full of varied cultures and enigmatic gods and goddesses and I just LOVE IT. Definitely one of my favorites this year.

From the cover of Starless:

“I was nine years old the first time I tried to kill a man . . .”

Destined from birth to serve as protector of the princess Zariya, Khai is trained in the arts of killing and stealth by a warrior sect in the deep desert; yet there is one profound truth that has been withheld from him.

In the court of the Sun-Blessed, Khai must learn to navigate deadly intrigue and his own conflicted identity . . . but in the far reaches of the western seas, the dark god Miasmus is rising, intent on nothing less than wholesale destruction.

If Khai is to keep his soul’s twin Zariya alive, their only hope lies with an unlikely crew of prophecy-seekers on a journey that will take them farther beneath the starless skies than anyone can imagine.

Series Review: The Bone Witch

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the bone witchThe Bone Witch/The Heart Forger
by Rin Chupeco
Young Adult Fantasy
411 pages/501 pages
Published 2017/2018

I’m reviewing the first two books of a trilogy here, The Bone Witch and The Heart Forger. The third book, The Shadowglass, is due out in March – but I wish it was out now!!

Both books are told in an alternating chapter format; short chapters, told from a nameless bard’s viewpoint as Tea tells him her story, and longer chapters told from Tea’s viewpoint, being the stories she’s telling the bard. All of the bard’s chapters take place over the course of a few weeks, while Tea’s story covers her entire life up to that point. So you get glimpses of what she’s currently doing, while getting backstory and explanation of why she’s doing it.

First thing I want to say is Tea is BADASS. The book opens on her raising a terrifying monster from the dead and making it into a pet. A PET. The bard she’s talking to is intimidated, to put it mildly. Then we launch into her story. Tea tells us how she went from farmgirl to Asha – think a geisha with magic and combat training, and you’ll get the picture. Tea’s world is fairly rigid on the gender roles – women with magic become asha, men with magic become Deathseekers. A significant side-plot revolves around a young boy with magic who wants to be an asha instead of a Deathseeker, and Tea’s efforts to help him. Tea turns out to be a rare kind of asha – a dark asha, or bone witch – whose powers are mostly concerned with raising the dead.

heart forgerA major point of this world is heartsglass – in several of the kingdoms (but not all of them) everyone wears a locket around their neck with their heartsglass inside. Heartsglass is basically a small ball of light summoned forth from a person’s soul when they come of age. It can’t be given away unwillingly, and the different colors of someone’s heartsglass means different things – whether they’re a magic user, or a bone witch, or an asha, or a heart forger. Or rather, whether they have the potential to become those things. Some people – the ashas, death seekers, any of the magic users, really – can see peoples’ emotions in their heartsglass, and can tell when people are lying, or guilty, or a number of useful things. People in love often trade their heartsglass with each other, literally holding each other’s hearts. This can be dangerous; the bone witch who trains Tea in the first book gave her heartsglass away, but her lover died without returning hers. And she doesn’t know where he hid it. Without a heartsglass, her powers – and life force – are dwindling.

I love Tea so much. She is incredibly powerful, but hurt and pissed off and out for vengeance. At the same time, she doesn’t want to be evil, so she is tempering her vengeance to a knifepoint so innocents aren’t caught in it needlessly. She’s doing horrifying things while you’re thinking “Oh. Yeah. That’s justified.” The writing in these books is excellent. The side characters are fleshed out with motivations of their own, the villains have interesting reasons for their villainy, strange events get revisited later and explained – it’s just amazingly well done.

Between raising the dead, flirting with princes, taking down army-destroying monsters, and taming dragons, the only bad thing I have to say is I HAVE TO WAIT UNTIL MARCH FOR THE THIRD BOOK?!

From the cover of The Bone Witch:

The beast raged; it punctured the air with its spite. BUT THE GIRL WAS FIERCER.

Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living – and of the human.

Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong – stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

Lyrical and action packed, this new fantasy series by acclaimed author Rin Chupeco will leave you breathless.

From the cover of The Heart Forger:

Life isn’t fair. AND SOMETIMES, NEITHER IS DEATH.

No one knows death like Tea. A bone witch who can resurrect the dead, she has the power to take life…and return it. And she is done with her self-imposed exile. Her heart is set on vengeance, and she now possesses all she needs to command the mighty daeva. With the help of these terrifying beasts, she can finally enact revenge against the royals who wronged her – and took the life of her one true love.

But there are those who plot against her, those who would use Tea’s dark power for their own nefarious ends. Because you can’t kill someone who can never die…

War is brewing among the kingdoms, and when dark magic is at play, no one is safe.

Book Review: Sweet Little Lies

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sweet little liesSweet Little Lies
by Caz Frear
Crime Fiction
344 pages
Published August 2018

Sweet Little Lies was billed as a thriller in Book of the Month’s description, but it’s more of a police procedural. I hadn’t read one before, though I watch plenty of them on Netflix – they’re a bit of a guilty pleasure! It was interesting having one in book form. It’s not my typical fare, but I did enjoy it, far more than I probably would have enjoyed a true thriller. It’s got all your typical parts of a police procedural – older family man cop, ball-busting female chief who isn’t as bitchy as she first appears, troubled main character who snapped on a case, police psychiatrist, puzzling case, lying witnesses. All we’re really missing is a partner who isn’t actually a cop but somehow worms his way into cases anyway.

I’m conflicted about Cat herself. I like her – but I disagree with some of her decisions. I think she should have come clean about her connection to the case immediately. She doesn’t because she’s trying to protect her dad, but why? She spends most of the book talking about how much she dislikes him! Her entire family dynamic is pretty weird. They have issues.

I really enjoyed the writing of this book. The pacing was excellent – slow enough to absorb each new reveal properly, but fast-paced enough that the action rolls along. Goodreads says the book is “Cat Kinsella #1” implying it’s the start of a series. I’ll have to keep an eye out for them. For a debut novel, I am impressed at the level of writing, pacing, plot, and characterization. There’s a lot of threads in this book that get gathered together at the end and tied up nicely, with only one escaping. That worried me until I discovered it’s the beginning of a series; the one loose thread makes sense in that context.

While I didn’t like this one quite as much as Goodbye, Paris, it’s still another great pick from Book of the Month. I’m curious if they’ll have Hank Green’s An Absolutely Remarkable Thing as one of their picks next month! I already ordered the Book Club version from Barnes & Noble, but I’d still be sorely tempted to get a Book of the Month edition. I really don’t need two copies, though!

From the cover of Sweet Little Lies:

Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a detective constable with the Metropolitan Police Force, but she’s never been able to  banish the ghosts of her past or reconcile with her estranged father. Work provides a refuge from her family dysfunction, but she relies on a caustic wit to hide her vulnerability from her colleagues.

When a mysterious phone call links a recent strangling victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier, the news is discomfiting for Cat. Though she was only a child when her family met Maryanne on a family vacation, right before she vanished, Cat knew that her charming but dissolute father wasn’t telling the truth when he denied knowing anything about the girl’s disappearance. Did he do something to Maryanne all those years ago? Could he have something to do with her current case?

Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But the deeper she digs, the darker the secrets she may uncover . . . .

Narrated by the unforgettable Cat, Sweet Little Lies is both a compelling police procedural and a look at how we grapple with the shadows of our pasts.